His work is a true fairy tale, a world of metaphors and meanings that “read” with excitement and fervor. His frames are as many allegories, with suggestive titles, that complement the perception. Musicians, clowns, city characters, girls and Eve, dogs and poets, hypocrites and lunar people, cities and keys come to float in these images as a game card, one without borders, but with an essential center. Such images do not start and end.

They encompass and penetrate, enter the game proposed by the artist with a penelope like a magic wand. Dynamic and vibrant images break into pseudodecupations that emphasize and unfold in all the space, like a sea of flags with frills as a destiny.

Original and expressive, Mihai Bâra is one of the best-rated Romanian artists with a conquering, magnetic work.The dynamic and vibrant imagery is decomposed into pseudo- segments that place accents and fill the whole space…..

The originality and expressiveness, the enchanting and magnetic quality of his work ranks Mihai Bara among the best Romanian artists. He is valued highly and displays his painting in reputated and influential Art Galleries……..He feels at ease within the exacting framework of Western exhibition spaces…….and this is visible in every single touch of his tumultuous painting.

Marius Tita Art InfoNews  june-july 2017


Francois Speranza, Arts et Lettres, August 2017

   Mihai Bara’s universe is populated by a constellation of   phantasmagoric creatures evolving in a playful aesthetic  atmosphere. The force of this universe resides in the strikingly vivid fauvist colours : red, green, yellow, blue that theatrically  bring the subject-matter into focus. The artist thereby reconnects with the pictorial legacy of the   past. On the basis of an elegant neo-expressionist manner, he also approaches the contorted classical German expressionism, as well as the primitivism as viewed by the neo-expressionists of the early 80-ies : the return to nature…….through the myth of a colour scheme reminiscent of Gaugain-s. There is also a cubist intent in his conception of volume, in the way he “breaks down”his characters, especially their faces, into fragments with a view to deforming them. And in so doing he is again expressionist, in his critical distortion of the event narrated.  It is impossible for a visitor to walk by any of the artist’s works   without being struck by his extraordinary colour scheme resultIng from an extremely worked out matter.

 The artist’s creative journey has known several stages. We have already mentioned his abstractionist debut. This is visible in his blurred treatment of surfaces. The human image plays a social and political role, one of receptacle of the various states of the soul. It exibits a dialectic acceptace of the Self as rediscoveredin the Other.    

 We are plunged into full neo-expressionist dialectic : the human image dematerializes so as to become conscience.

 The artist is fascinated by the intimate view, by the individual  conscience of what society reveals of itself : the image of a  show-like society. The human image is multi-facial, being just a small piece in the social puzzle.  Despite the neo-expressionist direction of his painting, the artist is firmly against labels, placing himself outside express- Ion. For the expression relies on the intimate perception of the  World.

Angela di Bello

“Romanian artist Mihai Bara invites the viewer to look beyond his literal figural executions to the feelings that lie beneath. His neo-expressionist images transcend the constraints of line and form to explore the emotionality, tensions and inner experiences that lie beneath the figural façade. What results are compelling paintings full of color, texture, energy and movement. His masterful sense of composition only serves to add to the emotional depth of the paintings.

Using a mixed technique centered around acrylics on canvas combined with other media such as paper, string, textiles and sand, he infuses his works with an intensity and vigor that makes his characters come alive. Inspired by the diversity of his homeland inTransylvania, Bara infuses each figural composition with a cultural richness reflective of the greater world we share. Through his art, Bara offers up “a point of view based on a true emotion” inviting the viewer to “think more about themselves, about life, about how insignificant we are as individuals.”

Angela di Bello july 2011 New York

Maureen Flynn

“It is human nature, specifically, which preoccupies Bara most constantly, manifesting in expressively distorted figures encompassing a broad range of emotional states.

At the same time, there can often be an almost Braque-like formal stability to Bara’s compositions,  as seen to particular advantage in “Clowns,” where the two zany, wildly distorted buffoons in their garish costumes, one of which contains an area of bright harlequin patterns, occupy the picture plane with the stability of floral bouquets in a still life. Here, too, is a buoyant sense of the human comedy that also figures prominently in a large triptych format called “Kids,” which corrals the anarchic energy of childhood in a particularly pleasing composition where disproportionately large, expressively gesturing hands are, again, the picture’s piece de resistance.

As a colorist, Bara is as partial as de Kooning was (particularly in his “Woman” series) to various visceral shades of pink. For pink, after all, is one particular hue of the “human clay,” which for this artist becomes a kind of Play Dough that can be stretched in all manner of inventive ways to depict a host of mortal foibles and feelings. Thus his subjects range from the tender emotions of “Il Bambino” to the tormented visage of “The Sinner,” to “The Rumour,” in which cluster heads with gabbing gobs and a gesticulating hand pointing a finger at a blushing figure in the foreground demonstrate the cruelty of gossip.

Fresh from a critically praised exhibition inRome, Mihai Bara brings his refreshingly humanistic vision toChelsea in this engaging solo show.“

Maureen Flynn july 2011 New York

Jason Plymer

“Deeply entrenched in the formal and thematic tenants of Abstract Expressionism, Romanian painter Mihai Bara seeks to translate the human condition and experience onto his canvases. Brilliant, vibrant color splashes through Bara’s works, invigorating our sense of the nature of reality and fantasy in playful enchantment. Dynamically fluid yet alluringly geometric shapes cascade throughout these paintings, speaking to the sometimes messy and problematic, yet poignantly poetic nature of human existence.

Bara explores and exploits painterly texture, yielding an exquisite richly tactile quality in his work that engages the viewer. His materials are eclectic, with latex, paper or string often mixing with traditional acrylic paints. Through this assortment of material, Bara speaks to the opulent diversities and differences alive and intermingled throughout the world. He sites his childhood hometown,Brasov, a place flush in varied languages, cultures and religions, as the source of his deep appreciation for multiplicity. It is through the plasticity of expressionism that the artist gives voice to the nuanced multitudes of human emotion.

I would like my art to be accepted as an interesting point of view based on a true emotion,” he says. “My idea is to open a little bit the big labyrinth we have all inside.

Mihai Bara lives and works inAndorra, a small country inSouthwestern Europe. He exhibits his work widely throughout Europe and the United States.”

Jason Plymer  july 2011 New York

Prof. Dario Evola

 “Mihai Bara’s painting represents a happy and intelligent visual research with real sensibility and deepness. His work opens up the door to the viewer  towards  the daily circus ; his artworks are a fantastic mirror of this society,  of this  emotional labyrinth  which  finally  gently invites us  to…introspection. He has a unique technique and brings extraordinary details and richness of the acrylics.

Excellent show!”

Prof. Dario Evola  sept 2010  Rome

Mercé Juves

In Mihai Bara’s work the spectator  will  notice the artist’s almost obsessive concern to reconciliate two distinct impulses; a strikingly violent expression of a scream and a need for harmony and unity. The painter fully masters the representation technique and seems to be driven by an ardent temperament in his endeavour to discipline matter, to enrich it by using an elastic, elevated, formal idiom. The impression you get is one of dynamic emotion, of restlessness in the transposition of his visions into a vivid, fluctuating matter, into a volcanic expression. The colours, the thick paste are applied with a constant control of the artistic gesture. The colouring explodes in hues of the highest degree of purity, in a concept that ensures the monumentality of his compositions and facilitates an enhanced abstraction

Mercé Juves nov.. 2008 Barcelona

Jaqueline Guenoun

“Bara offers in his exhibition a high conceptual dialogue with the audience based on the eternal reconstruction of the identity, of the feelings that lie beneath. You can almost feel his look, his critical and emotional touch, the vibration he puts on every spot of light and colour. “

Jaqueline Guenoun  septembre 2008 Perpignan

Corneliu Antim

The main assets of Mihai Bara’s painting seem to be the pedantic control of his colouring instinct together with a good balance of associations and juxtapositions of the colour shades, in an apparently gestural move of the tones, creating a dominant abstract image.

Even more interesting though, are his very active and flexible poetic compositions, in which the metamorphic tensions dominate the visual impression, by evoking the magmatic whirl of matter, seeking possible forms, autonomous in their potential existence. Mihai Bara is well aware that his relationship with the viewer, irrespective of place or culture, must be sustained by concentrating his message or, ay least, by conveying his communicative intentions in a most expressive manner.

Corneliu Antim sept 2007 Bucharest